[The whole TWD blogging series is here.]

So, when we last discussed TWD, several things had happened:

Woodbury had collapsed, Andrea had died, and the Governor had abandoned his survivors. This was all part of the Battle of the Patriarchs.

Anyhoo, the Governor got rid of the handful of other dudes who had escaped with him and was supposed to have some sort of reflective travel thingie until he found a family with two sisters and their elderly father, and the daughter of one of the women. Amazingly, this small group had managed pretty well on their own up to that point, but, as soon as the Governor shows up, the little ladies become powerless, for instance, in getting the elderly man to bed or get him his oxygen tanks. They needed manly rescuing.

After convincing the women that their place, which had been safe so far, no longer is, they all go on the road, under the safe leadership of the Governor (because, really, that’s what women want). They find another group. The Governor kills the current leaders (so much for the whole crisis of conscience thing), takes over (because he’s The Man), and decides to go attack the prison where Grimes and his group are still holed up.

Meanwhile, Grimes is still a horrible leader. When Carol tries to teach the children how to defend themselves (a perfectly reasonable thing to do), Carl sees her, and she tells him not to tattle on her to her dad… because Grimes is a horrible leader but somehow, that never gets questioned. Follows a weird flu epidemic that conveniently kills the rescued members of Woodbury.

The worst of the last season was definitely when Grimes decides, all by himself, to exile Carol because he thinks she killed some of the flu sufferers, including Tyrese’s girlfriend (hence another episode of macho nonsense, with some “let him hit me” stuff, and Tyrese making the other men promise to find who killed her). So, while on a supply round, again, Carol shows she understands what situation they’re in pretty realistically (after the death of a young couple they encountered), and it’s not pretty. This solidifies Grimes’s belief that he has the right to just kick her out of the group. When he gets back to the prison, no one questions him, which is really completely barf-worthy considering the season opener last Sunday.

twd2Then, the prison gets attacked and is set on fire. The one highlight of the season is Hershel’s killing. Big fist fight between the patriarchs, where Grimes gets all bloody, in addition to his being sweaty and gross all the time. In the chaos, the group disperses, and for the rest of the season, we’ll follow the separate groups: Carl, Michonne, and a totally beat up Grimes (whose leadership is inexplicably restored the minute he starts to fee better), then Daryl and Beth (who gets kidnapped by a group of gross dudes), then Maggie, Bob, and Sasha (and with this group, we learned that black lives are less important than white lives, when Bob decides to go with Maggie and abandon Sasha). Tyrese ends up with the girls from the prison, Grimes’s baby, and they end up with Carol, who is left with the task of killing one of the girls who have become, well, insane, and can no longer be trusted to harm them.

Along the way, they pick up a few extra people: a big dude who protects a mullet dude who supposedly has the cure for the plague and needs to get to DC, and a couple of women from the previous group that attacked the prison.

twd1Separately, they are all following signs to Terminus, a supposed sanctuary, which turns out, surprise surprise, to not be that at all! The season begins after they have all been captured by the cannibalistic Terminus people, who used to be good guys, but then, bad guys came and took over Terminus. They took it back and turned bad guys themselves.

The big moral lesson of the opener is that, basically, there are no more boundaries between good guys and bad guys. Everybody is equally awful.

The whole episode is Grimes’s group’s escape from Terminus (in large part, thanks to Carol), killing a whole bunch of Terminus people. Grimes is still as awful a leader as he was before: after their escape, he wants to return to finish them all off. At least, the others dare tell him it’s a bad idea.

But, of course, because it’s TWD, there has to be some patriarchal BS: remember, they escaped thanks to Carol’s intervention (Carol is turning in to the most badass character of the show, without the credit from the other characters). When she is reunited with the group, she cautiously approaches while keeping her distance. We get a big moving reunion with Daryl. And Grimes, asshole that he is, says “did you do that?” (meaning, set Terminus on fire, which allowed their escape), and hugs and thanks her when it becomes clear that she did. Somehow, he has given her her seal of acceptance in the group (patriarchal acceptance is needed), and the others come and greet her as well.

I am waiting to see if the rest of the show will address her shabby treatment in the previous season and if Grimes feels at any point he has to make amends for kicking her out of the group.

But why anyone would still defer to Grimes is beyond me.

KimaAs great a series as The Wire is, one of its major shortcomings is its lack of attention to women and girls. This does not mean The Wire fails to cover gender in the areas of crime, politics, education and work. But within those spheres, The Wire is more or less a drama involving heterosexual males. Hence, we get an array of stories illustrating various pursuits towards hegemonic masculinity.

Research on gangs in the United States shows that women are not absent figures, and under certain circumstances can achieve prominent gang status. Fortunately, at least two significant female characters emerge in The Wire whose attitudes, behaviours and positions within their respective workplaces reflect empirical gang research – Snoop, a gangsta in Marlo’s crew, and Kima Greggs, who isn’t in a gang per se, at least not in the way we normally think of gangs; Greggs is police.

A 2001 study with 369 gang-affiliated youth across 11 American cities (Peterson, Miller, & Esbensen) found that organisational sex composition within gangs influences how much power females and males attain. This study revealed that in youth gangs where there was a more balanced sex ratio, that is where there was a more even number of boys and girls, the female gang members engaged in significantly less levels of delinquency on 12 out of 14 measures.

In contrast, in youth gangs whose composition consisted of predominantly males and a proportionally smaller number of females, female gang members’ involvement in illegal activities were not significantly different from males’. In fact, findings from the study showed that for 12 out of the 14 delinquency measures there were no statistically significant differences comparing the male and female delinquency rates, including the measures for violent offenses.

The authors purport that these contrasting trends reflect organisational theory tied to gender and majority-minority relations:

…minority-group threat hypothesis suggests that as the proportion of the lower status group (i.e., females) increases, the higher status group (i.e., males) increases negative attention and control in an effort to maintain a dominant position. Thus, it would be in sex-balanced gangs – those with a sizeable proportion of female members – that the greater sex differences would emerge with regard to participation in delinquency. Our findings are in line with this prediction. Males and females in majority-male gangs did not report significantly different rates of offending, whereas males and females in sex-balanced gangs did. Thus, it may be that males in sex-balanced gangs, in which the percentage of females in nearly equal that of males, feel a gendered status threat and respond by narrowing girls’ opportunities for involvement in “masculine” activities such as delinquency. (p. 432).

To this end, although The Wire is probably inaccurate in portraying so few female characters, it is spot on in showing how female characters rise in prominence within largely male institutions. Take for instance Snoop, the only visible female gang member within Marlo’s crew. Snoop assumes masculine characteristics verbally (see her purchasing the nail gun, below; video can’t be embedded), through her attire, and behaviourally via her vicious criminality (Snoop shooting from the motorcycle, 2nd video).


Following Peterson, Miller, & Esbensen’s (2001) research findings, one would argue that Snoop is granted ascendance within the gang not only because of her masculine demeanor and brutal tendencies, but also because the sex-composition is so imbalanced in favour of males. As the only female within Marlo’s gang, women do not pose a gendered threat to the gang’s masculine order. Hence, Snoop is allowed to become “One of the Guys”, partake in work (i.e., valued criminal acts) along side males, and earn her way up within the organisational hierarchy.

Of course Kima Greggs is not in a gang the way we traditionally think of gangs. However, she also works in an overwhelmingly male institutional setting – the police force – where the law isn’t exactly always followed. Like Snoop, Kima assumes a traditional masculinity, which earns her peer respect and positions of power. And again like Snoop, Kima participates in workplace business along side her male counterparts. See the 2 clips below, where Kima clearly demonstrates highly masculine conduct (click on links, vid’s cannot be embedded):



One might argue that because the police force is similar to a gang in terms of its organisational, gendered composition and in terms of its masculine, violent inclinations, Kima is permitted to work at the detective level. If more women were in the police force and posed a greater numerical threat to the patriarchal stability, it is possible that even with Kima’s masculine attitudes and behaviours, she would be severely hampered in her career trajectory.